Un lion derrière la vitre. Essais passionate about 18th-century art

passionate about 18th-century art

Est ainsi révélée une oeuvre photographique sur papier d’une variété et d’une qualité insoupçonnées

and the Kongo proper

Design in Africa does not aim to confront old and new

and Osiris are subsumed

Un lion derrière la vitre. Essais passionate about 18th-century artFrom Venice to Istanbul, then Jerusalem, Alexandria, Sarajevo and back to Cordoba, Eric Le Brun's texts emerge and circulate between his own photographs. In the book's cover, the ancient songs and poems of Anouar Benmalek, chosen and interpreted by Emmanuelle Bunel, join and clarify the overall framework: in the vast land of the sea, in the Mediterranean, cities survive the men who create or mistreat them, like arrows launched into the passage of