HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 69, 1836-1847 sculture The etchings often originated as

The etchings often originated as frontispieces or illustrations for volumes

ma anche quelle vicine che non vediamo e restano invisibili ai nostri occhi

nasce l’astrazione: i colori attraversano i limiti disegnati

an expression of hope for a continuous flow of patrons

Many of us as children participated in the game of “exquisite corpse

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 69, 1836-1847 sculture The etchings often originated asStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New